How Professional Artists Found Their Style

If you've ever looked at another artist's work and immediately recognized who made it, it's easy to imagine that they must have always known exactly what their artistic style would be. But finding your own style rarely happens that way.

For many professional artists, style doesn't arrive fully formed. It develops gradually through the work itself. An artist might spend years experimenting with different influences, subjects, materials, and processes before certain choices begin to feel more natural than others.

Sometimes, those choices are intentional. Other times, you’ll only recognize a pattern after looking back at years of work.

The experiences of the UGallery artists we interviewed also suggest that finding your style is rarely about following a single path. Instead, it often comes from paying attention to what continues to interest you, and giving yourself enough time to see where that interest leads.

Your Artistic Influences Can Meet Somewhere in the Middle

Spark by Hadley Northrop featuring a vibrant, illuminated double-decker bus at night with a bright red neon sign spelling out the word "SPARK"

When you're developing your style, it can be tempting to feel as though you need to choose a direction. Should your work be bold or subtle? Graphic or painterly? Realistic or expressive?

For UGallery artist Hadley Northrop, her style developed somewhere between two very different artistic influences. As she explained, "The favorite artists inspiring me as a developing artist were a mix of bold, graphic, commercial styles like the Pop artists and the romantic, painterly Pre-Raphaelites and Impressionists of the 19th century. My painting style became a combination or a midpoint between the two."

That combination helped Hadley define what she wanted her paintings to do. "I didn’t want to push as far as photorealism, but to simplify and soften into a pleasing marzipan-like texture and enhanced, not straight out of the tube, colors," she shares.

Her experience is a useful reminder that your influences don't need to agree with one another before they can become part of your style. Sometimes, the qualities you admire in very different kinds of work can eventually lead you toward something that belongs somewhere between them.

A Recurring Image Can Become Part of Your Visual Language

Beach Proposal by Kat Silver featuring an anthropomorphic rabbit proposal on a crowded sandy beach

Sometimes, style develops because certain images keep returning to your work.

For artist Kat Silver, one of those images was the bunny. "It started about 20 years ago; I started noticing bunnies, and they became my spirit animal," she says. "Throughout the years, I have developed more characters and more involved themes."

Over time, those characters became part of the larger visual world Kat now describes as narrative surrealism. Her paintings play with scale and perspective, creating scenes that can initially appear colorful and cheerful before revealing something more unsettling.

"I like to draw the viewer in for them to find things in the artwork that they might not have noticed at first glance," Kat explains. "Some of the creatures are oversized, and others are smaller, making the illusion of things being like in a dream. The longer you look at the paintings, the more you realize they are playing with your sense of reality."

There's something worth noticing in the way Kat's style developed. A recognizable visual language didn't begin with a decision to create a signature motif. Instead, it grew as she continued developing an image and idea that had captured her imagination.

If you find yourself returning to the same symbols, subjects, or characters, you don't necessarily need to decide what they mean right away. Sometimes, repetition itself reveals what is worth exploring further.

Your Relationship with a Subject Can Shape Your Style Over Time

Sunset over the Overlook by Srinivas Kathoju featuring a textured, colorful mountain overlook painted in bright sunset hues

An artist's style can also change while their source of inspiration remains familiar.  For Srinivas Kathoju, that source has long been nature. But the way he has interpreted those subjects has evolved.

His recent work has also reconnected him with childhood memories of drawing with crayons. Srinivas now recognizes that same freedom in his use of visible marks, vibrant colors, and loose, unblended brushstrokes.

Today, he describes his style as "an evolving conversation between abstraction and impressionism, with color, texture, and the experience of nature at its center."

His journey is a reminder that you don't necessarily need to abandon an early direction in order to grow beyond it. The way you see a subject can change. The way you respond to it can change, too. And somewhere along the way, those changes can become part of your style.

Your Influences (Even Limitations) Can Point You in a New Direction

All the Kin Folk by John McCabe featuring rows of abstract, colorful illustrated faces on a solid blue canvas backdrop

For artist John McCabe, two unlikely influences helped push his style forward: animator and filmmaker Mike Judge and Kurt Kirkwood of the band The Meat Puppets.

As John explains, Mike Judge openly said he couldn't really draw, while Kurt Kirkwood often created the artwork for his band's music releases. That combination gave John the push he needed to create the artwork for his own first EP.

Over time, his work continued to develop. "Over the last 10 years, the lines have gotten tighter and the colours more vibrant, but the basic premise is still the same," he says. "I still can't draw, and I release a lot of music that requires accompanying artwork."

John's answer may be funny, but there's also something genuinely valuable behind it. The skills you feel you haven't mastered, and the practical reasons you keep making work anyway, can influence the direction your style takes. You don't always have to wait until you feel fully qualified to begin developing a visual language.

Sometimes, a limitation doesn't stop you from moving forward. It simply sends you in a direction you wouldn't have explored otherwise.

Your Process Can Become Part of Your Artistic Style

If You Only Knew What We Dreamed Of by Kristina Ingvarsson featuring a dreamlike portrait of a red-haired woman with closed eyes and soaring blue birds

When we think about artistic style, it's easy to focus on what we can immediately see in a finished piece: the subject, colors, composition, or overall aesthetic.

But artist Kristina Ingvarsson offers another way of looking at it. After years of experimenting with different styles and mediums, Kristina found a process she truly enjoyed. Her work often begins with applying the first layers of ink or watercolor, leaving parts of the original sketch visible, then building the painting through intentional brushstrokes.

For her, those repeated decisions became part of her visual language. "I like to think that even when the colours and subjects change, you can still recognize my work because the underlying process remains the same," she shares.

That distinction is worth remembering when you're trying to understand your own style.
Your style isn't necessarily limited to what the finished painting looks like. It can also live in the way you begin, the materials you reach for first, the marks you choose to preserve, or the process you return to because it feels right for you.

Your Style Can Be Shaped by How You Want People to See Your Work

For a Spell by Duane Brown featuring a painting of a cowboy taking a break and sitting on the ground against a fence

For some artists, style is also connected to the experience they want to create for the viewer.

"I guess my interest in painting a subject with painterly strokes rather than with a photorealistic outcome comes from the skill I've seen in many artists' ability to make a painting look photorealistic from a distance, while seeing the craftsmanship of carefully placed broad strokes when viewed up close," artist Duane Brown explains.

Although he has painted in different mediums over the years and describes his work as contemporary realism, he has also heard his peers refer to it as pop-realism.

But labels aside, Duane's approach is rooted in a clear interest in how a painting changes as the viewer moves toward it. 

As you develop your own work, it can be useful to think not only about what you want to create but also about how you want someone to encounter it. What do you want them to notice first? And what might they discover when they look a little closer?

Finding Your Style Doesn't Mean Stopping Experimentation

Sunlit Bliss of a Highland Beauty by Viktoria Goudbeek featuring a colorful, textured close-up painting of a long-horned Highland cow

Finding a recognizable style can sometimes create a new kind of pressure: once something begins working, it may feel safer to keep doing it the same way.

For artist Viktoria Goudbeek, however, experimentation remains central to the work itself.

"My artistic style is a vibrant fusion of Expressionism and Pop Art, fueled by a love for constant experimentation rather than set formulas," she explains. "Embracing a spontaneous creative process, I dive into each oil painting as a unique journey to discover something entirely new."

That openness to discovery appears in the way Viktoria approaches familiar subjects with unexpected color, bold palette-knife work, and a sense of humor or warmth. She allows each painting to become its own creative journey.

Developing a recognizable style doesn't have to mean trapping yourself inside it. You can return to familiar materials, techniques, and visual ideas while continuing to explore what else they might become.

Sometimes, the willingness to experiment isn't something you outgrow after finding your style. It can remain one of the things that keeps your style alive.

A New Tool or Medium Can Lead Your Style in a Different Direction

Petals at First Light by Lisa Elley featuring a thick palette knife painting of a floral bouquet with layered pink petals and green leaves in a clear vase

Sometimes, a significant shift in style begins with something as simple as picking up a different tool. For UGallery artist Lisa Elley, the palette knife became a turning point in her artistic journey.

"I began as a traditional brush painter, but the moment I held a palette knife, everything clicked," she shares. "The immediacy, the texture, the physicality, it unlocked a new language for me."

The palette knife didn't simply change the surface of Lisa's paintings. It also opened a different way of thinking about what paint could do. "Over the years, my work has grown from impressionistic landscapes into something more immersive and emotional," she explains. "I’ve expanded into larger scales, deeper palettes, and more sculptural surfaces."

For Lisa, the connection between tool and artistic voice remains deeply personal. "Texture is my language," she says, "and landscapes are my way of honoring the places that bring people back to themselves."

This only goes to show that occasionally giving yourself permission to experiment with something unfamiliar can reveal possibilities you didn't know you were looking for.

Final Thoughts: Your Style Can Keep Becoming More Like You

Looking across these UGallery artists' experiences, one thing becomes clear: artistic style rarely arrives fully formed. It develops while you're making the work.

Perhaps the most reassuring lesson is that you don't need to wait until you've found your style before making meaningful work.

Your style may be developing in the work you're making right now. It may be hiding in the choices you make without thinking, the techniques you keep returning to, or even the experiments that don't quite work.

As artist Kristina Ingvarsson reminds us, “You create it more than you find it.”

So keep making. Your style may already be on its way to finding you.. while you're busy creating it.