Maya Malioutina
Honesdale, Pennsylvania
Artist Maya Malioutina creates mixed-media abstract art inspired by urban imperfections—cracks in sidewalks, peeling paint, rusted metal. "Their imperfections hold a special significance, enhanced by the passage of time," says Maya. Influenced by the Japanese philosophy of wabi-sabi, she embraces the beauty of flawed surfaces, translating her close-up discoveries into heavily layered, textured paintings that feel both meditative and sumptuous. Her works often require ten to forty layers of materials such as metals in acrylic solution, oxidizing agents, plaster, wax, and acrylics, with light seeming to emerge from within. Maya never expected to become an artist—she once studied medicine—but a transformative experience shifted her path and clarified her calling to create. Today, her studio is a chaotic yet organized space filled with music, photographs, and found objects that spark inspiration. When she’s not at work in the studio, she enjoys the company of her five pets, who provide warmth and companionship alongside her creative practice.
Artist Statement
My work is informed by the close-up discoveries of walls, corners, and sidewalks. They represent the mystery and biographies that lie behind and within these textured surfaces.
Their imperfections hold a special significance, enhanced by the passage of time. Erosion, oxidation, peeling paint, rust, and bare boards all serve as a kind of poetic personal journey evoking the etched markings of wrinkles and scars.
Each wall, corner, and sidewalk I encounter is personified to reveal a symbolic portrait. Its form shows how it has evolved and transformed over time. All that lies behind these images is anyone's guess; some things need to remain a mystery. Viewers are invited to develop their relationship with the paintings as they allow themselves to be transported and experience what lies beneath and beyond them.
As viewers approach this work, a world of texture is opened up. Everything appears highly tactile and three-dimensional. Light is not reflected, but comes from within, permeating every layer, as it creates the narrative of aged surfaces. What holds the viewer’s attention, then, is the wealth of emerging shapes and colors as each piece comes alive with its own story.
I work with a variety of materials, including metals in acrylic solutions, oxidizing agents, plaster, wax, and acrylics.
My work is a slow and patient process that involves many layers. Each piece requires anywhere from ten to forty layers before it matures.
Their imperfections hold a special significance, enhanced by the passage of time. Erosion, oxidation, peeling paint, rust, and bare boards all serve as a kind of poetic personal journey evoking the etched markings of wrinkles and scars.
Each wall, corner, and sidewalk I encounter is personified to reveal a symbolic portrait. Its form shows how it has evolved and transformed over time. All that lies behind these images is anyone's guess; some things need to remain a mystery. Viewers are invited to develop their relationship with the paintings as they allow themselves to be transported and experience what lies beneath and beyond them.
As viewers approach this work, a world of texture is opened up. Everything appears highly tactile and three-dimensional. Light is not reflected, but comes from within, permeating every layer, as it creates the narrative of aged surfaces. What holds the viewer’s attention, then, is the wealth of emerging shapes and colors as each piece comes alive with its own story.
I work with a variety of materials, including metals in acrylic solutions, oxidizing agents, plaster, wax, and acrylics.
My work is a slow and patient process that involves many layers. Each piece requires anywhere from ten to forty layers before it matures.
Artist Background
Bachelor of Arts
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