Words affect me in powerful ways, and in much of my work I seek to create an aesthetic experience that parallels and amplifies the impressions stimulated by language. I often use the term “illumination” to describe the conceptual goals of my work. “Illumination” evokes both the past tradition of illuminated manuscripts and the idea of clarification or enlightenment–connotations which align with my interest in expanding on the experience of literary text.
My main strategy of art making is drawing with graphite and ink (which has come to mean all kinds of liquid materials including traditional Sumi, coffee, tea, and watercolor). Conceptually, I appreciate using media and tools connected to the writing process in order to create images that expand the experience of reading into the realm of the visual. Aesthetically, my drawings are carefully designed and rendered, and they explore formal concerns in order to create images that have a sense of austerity, power, and grandeur. Formally, I frequently explore notions of contrast between flatness and depth, pattern and texture, boldness and subtlety, locus and emptiness, orb and grid. Ultimately, I am interested in poetic response to word-generated experience and see formal language as one path to that end.
Maryland Institute College of Art
Master of Fine Arts, 2019
Bachelor of Arts, 2012