 
						
					
							Emil Morhardt
						
						
						
						
						
							
								
									Santa Barbara, California
								
							
						
						
							
								Artist Emil Morhardt expresses his passion for birds and wildlife through realistic acrylic paintings. I photograph them in the wild and at wildlife recovery centers and use these images to capture individual birds’ personalities, says Emil. At a young age, he learned to paint from his father who was an art teacher and was one of the early California watercolorists. He learned his father's watercolor techniques while gaining an appreciation of opaque media from his dad's many artist friends who mostly painted in oil. In 1980, Emil began his art career by painting landscapes of the San Francisco Bay Area and the Eastern Sierra where he grew up. He earned a BA in Zoology from Pomona College and a Ph.D. in Environmental Physiology and Ecology from Rice University. In 2011, he moved to Santa Barbara, where he worked as a Professor of Environmental Biology at Claremont McKenna, Scripps, and Pitzer Colleges. After his retirement in 2016, he focused his energies as a full-time artist, working from his home studio. Located on a high ridge, he relishes an unobstructed north-facing view of the mountains behind Santa Barbara. While he paints, foxes, bobcats, and roadrunners occasionally walk up to the glass doors and peer in as deer and coyotes run by.     
							
						
					 
						
					
						
							 
						
					
						
							 
						
					
				Artist Statement
							Residing on the Pacific Coast in Santa Barbara, California, I am immersed in one of the world's prime locations for observing birds. My artistic journey involves photographing these avian beings in their natural habitats and at wildlife recovery centers. Using these images as a foundation, I strive to capture the distinct personalities of individual birds in my lifelike paintings. These portraits depict birds engaged in their daily lives, navigating the human environment on their own terms. In the field, birds often become indifferent to my presence after a period of stillness, while some boldly approach and peer into the camera. My artistic objective is clear—to paint birds as free, inquisitive, and captivating as they truly are in their natural surroundings.
						
					
					
						Artist Background
									Pomona College
								
								
									Bachelor of Arts, 1964 
								
							
									Rice University
								
								
									Doctor of Philosophy, 1968