The Long CutJesse Aldana
Oil painting on Stretched canvas New
Finished white edges
Ready to hang
Signed on back
24" h x 36" w x 1" d |3 lbs. 4 oz.
Los Angeles, California
California artist Jesse Aldana uses the ritual of sunrise and sunset to capture the spirit of the west. Using a hybrid of realist brushwork and an almost surreal absence of humans, Jesse documents residential neighborhoods, main thoroughfares and coastal scenes across the great city of Los Angeles. Reminiscent of Ed Ruscha, Jesse’s work acts as both a record of the current landscape as well as a metaphor for the openness and sense of opportunity that continually draw settlers to the west coast. Jesse says of California, “the sky is an overwhelming presence.” He frames his big sky compositions with narrow palm trees and low-slung buildings at the periphery of the canvas to illustrate the scale of the scene. In doing so, the viewer can begin to appreciate the sentiment of the final frontier. Jesse works from a home studio in Los Angeles using photographs that he takes of the surrounding area as source material. He holds a BA from Brown University and an MFA from The New York Academy of Art. He regularly exhibits at the Beverly Hills Art Show.
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Hear what collectors say about Jesse's work
What I appreciate in your painting is this vision of the moonlight on the clouds against the light...in general I like against the light views - à contre jour as thy say in French - be it the light of the Sun or that of the Moon, but against the moonlight is even more rare, thus valuable...- J Vincent
Amazing work Jesse. My wife loved her Mother's Day gift and it has given us both happiness in so many ways. On behalf of both of us, sincere thanks!- brian.folcarelli
I was immediately struck by the brooding sense of this piece. It feels simultaneously set in reality and a mythical realm, as I believe was Jesse's intention, by his write up. The softened colors and lines lends to the misty, ethereal quality of the subject and I enjoy losing myself to unknown stories lurking off canvas. Even the crows and hawk, I feel, have more of story arc than the initial impression of territorial irk.- J Fowler
Thank you, Mr. Aldana, for the lush still lifes you painted. They were delivered last week, and I repainted a wall before hanging them. I look at them, mesmerized. When I explore the detail, I am reminded of Donna Tartt's description of the perfect still life in her book, The Goldfinch. Mille mercis.- C Barker