I got these sour cherries from a friend when they were in season, and loved how the color looked juxtaposed against the yellow onyx vase and complimenting the Tuscan vessel. The light was coming in just right, making the whole scene shimmer with light, and look like an Italian Renaissance banquet.  This piece is on cradled panel with white edges and comes ready to hang.

- Julia Bright

Sour Cherries

Oil painting on composite board

Signed on front

24" h x 24" w x .5" d
5 lbs. 0 oz.



Julia Bright
Boulder, Colorado

Getting to Know Julia

Julia Bright bases her still life paintings on 17th century French and Dutch art methods, which means that her process is very time-consuming and deliberate. She uses hand-ground oils, birchwood supports, and maroger medium, a thick gel that is mixed into the paint to keep it from running off the panel and to speed the drying process. Similar to the Old Masters she admires, Julia is preoccupied with light and how it affects the objects she paints. Her watermelons and pumpkins are all the more enticing for it, as the light dances across the forms, altering the color and providing depth. Julia emigrated to the U.S. from the former Soviet Union when she was a teenager. Her passion for painting was undoubtedly developed as a child visiting the Hermitage Museum in St. Petersburg, where the great works of Chardin and Ingres mesmerized her.