I did this piece in the Parc Monceau, a beautiful park in Paris using Ninon, one of my favorite models. I posed her in front of a group of rocks, I wanted to ask questions such as, is her pose peering around the rocks, are the rocks hiding her or imprisoning her? The kimono with it's bright colors juxtaposed next to the somber tones of the rocks creates an fascinating contrast, the edges of the stone also emphasizing the elegant curves of her body. 

- John Kelly


Oil painting on stretched canvas
Finished black edges
Ready to hang

Signed on back

31" h x 21" w x .5" d
2 lbs. 5 oz.



John Kelly
Paris, France

Getting to Know John

John was born in Paris and grew up in New York. He attended the School of Visual Arts in the 1980s and participated in the East Village art scene at the time, showing at 301 Houston Street Gallery and Ground Zero Gallery. His work was mainly influenced by the Abstract Expressionists and the German Expressionists, but that changed when he saw a Balthus retrospective at the Met in 1983. His work became figurative, and has remained so ever since. Today, he works with several models, and they’ve become active collaborators in his art. “Allowing them to be creative helps me,” he says. John’s paintings live between the realms of classicism and modernity. He painstakingly renders his models with the precision traditionally reserved for the world’s wealthy and powerful, but his subjects are like you and me. As viewers, we see intimate moments of self-reflection and vulnerability. The figures are so close to the surface, it feels like you are part of the incredibly charged scene.