The diaphanous dandelion is hard to capture well in a painting, and it was a challenge I couldn't wait to take on! The different ways paint is applied here on the clear glass versus the opaque dandelion makes for a nice juxtaposition. I wanted to see how many colors can actually live in a clear glass vase. Overall, I wanted to achieve a feeling of quietude, a fleeting moment that's gone in an instant, but is captured in paint. This painting is on composite board and will need a frame for display. 

- Julia Bright


Oil painting on composite board

Signed on front

12" h x 9.5" w x .5" d
3 lbs. 0 oz.



Julia Bright
Boulder, Colorado

Getting to Know Julia

Julia Bright bases her still life paintings on 17th century French and Dutch art methods, which means that her process is very time-consuming and deliberate. She uses hand-ground oils, birchwood supports, and maroger medium, a thick gel that is mixed into the paint to keep it from running off the panel and to speed the drying process. Similar to the Old Masters she admires, Julia is preoccupied with light and how it affects the objects she paints. Her watermelons and pumpkins are all the more enticing for it, as the light dances across the forms, altering the color and providing depth. Julia emigrated to the U.S. from the former Soviet Union when she was a teenager. Her passion for painting was undoubtedly developed as a child visiting the Hermitage Museum in St. Petersburg, where the great works of Chardin and Ingres mesmerized her.